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Sunday Scribblings

February 11, 2008

Sunday Scribblings {Fridge Space}

Mustard

The chocolate syrup has run down the neck of the bottle,
dripping from the metal rack it sits upon and
forming sticky puddles on the shelf below.
Soy sauce has dried to the same shelf,
flaking off at the slightest touch.  There is still 
the faint hint of pickle juice even though
the broken bottle was discarded months ago. 
What's your's and what's mine,
once so carefully and deliberately divided,
parceled out and kept isolated on their designated shelves,
are now spilled, leaking, dripping, coating the white
plastic interior of the refrigerator we've chosen to share.
And this is what has become of our two lives--
they have spilled onto each other,
mixing into sticky, flaky, stain causing
puddles.  My chocolate syrup, your soy sauce,
running into each other, meeting somewhere
in the middle, pooling in little puddles of some new
exotic creation. 
We tried to segregate ourselves the same way
we separate our groceries, keeping what's yours
away from what's mine, keeping what's mine
away from what's yours, using tools of
destruction to keep ourselves from spilling carelessly
onto each other.  But when two lives
rub against each other, bodies folded together,
breath moving through breath, faults forgotten,
forgiveness tied around our tongues,
dreams tangled and spoken of as ours,
the boundaries begin to blur as pieces
of two independent entities touch, intersect,
blend into an interdependent entity
that stands on it's own apart from us.
When two lives rub against each other
the way mine rubs against yours,
we are left with what we didn't know
we were missing all along--hands bearing the stains
of each others tears, bodies dripping with
each others scent, the highly perishable yet
equally nutritious essence of relating.
We are left with one beautiful sticky mess I am content
to never clean up.

 

January 20, 2008

Sunday Scribblings {Fellow Traveler}

Vintage_having_tea

Dear Fellow Traveler,

If you were sitting beside me right now, sipping a cup of tea and listening to Damien Rice while the wind howls at the window, I would tell you it's an honor to travel life's path with you, that I'm glad you stopped by.  I would tell you it's nice to share this moment with a fellow seeker, that this pilgrimage is long and tiring and it's good to have made a friend.  I would tell you that lately there have been more days that have left me feeling drained and exhausted than days that have filled me with renewed energy.  I would tell you that I've wrestled a lot with doubt lately.  I've doubted myself, my talent, my value, my place, that I've questioned who and what I belong to.  I would tell you that lately God has had soft brown eyes, the kind that make your heart well up just a little, but I'm only able to see them in the stillness and it's sometimes so hard to quiet my distracted mind, a mind that keeps getting lost in stories of things I want and the person I'd like to be.  I would tell you that last night in the tube a memory came to mind, a memory about a piece of art a friend of mine created some years ago after realizing that both the words lie and the word Eve lie within the word BELIEVE.  I would tell you that memory seemed to surface as I've wrestled with a few lies that I unwillingly (and maybe sometimes willingly) bought into.  I would tell you how these lies shut me off from the rest of the world, from people I really want to give my whole self to.  I would tell you how much I hate that I believe them.  I would tell you that some days there is something in my chest that wants to break open and that some days I think I could cut my chest open to get to it, to set it free, but you really can't rush these things, even when you think if you don't at least try you might die.  I would tell you how the aching leaves me feeling as if I can't breathe.  I would tell you that the other evening I was getting my son ready for bed and in the course of conversation I said something about always being good enough and he looked at me quizzically and asked, "Mom, what does good enough mean?" and I wondered when in life it happens that we go from not even knowing what the term 'good enough' means to spending the vast majority of our time trying to be good enough, or trying to believe we are in fact good enough.  I would tell you that good enough has been on my mind lately, that good enough has been tied into my prayers, that good enough is the tears right behind my eyes.  I would tell you that good enough is such a crippling concept and I wish I knew how to go back to the days of not knowing what it meant to be anything other than exactly who and what I truly am.  I would tell you there is something deep inside me I can't get to and that it drives me mad because if I could get to it, if I could just get to it...well, there's no telling what might happen.  I would tell you I'm scared and sometimes I think I know why and other times I seem to be scared for no good reason at all.  I would tell you how badly I want to write the ache out, to give it form, but I can't quite get it right.  I would tell you that what's worse than not being able to give it the right words is thinking it might one day go away and that would be so much worse because I know in truth the words come from the ache and I need the words, I have to have the words, it's the words that give me life.  I would tell you some secrets I've been holding, secrets about things I want and how I don't understand why I can't have them.  I would tell you that I really know they're not mine to have and that I wish knowing that was enough but it's not...not yet anyway.  I would tell you about some things I've come to understand lately, things I haven't talked to anyone about because I'm afraid they'd think I was crazy, I'm afraid they wouldn't understand, but I know you would fellow traveler because you're learning similar things about yourself and like me you know the way we learn them can't be questioned or judged.  I would tell you I've been trying to pray but I can't remember how.  I would tell you sometimes I forget God exists.  I would tell you I'm happy but not full, I'm satisfied but not finished.  I would tell you I'm not the person sitting in front of you and you would understand exactly what I mean by that.  I would tell you I'm not afraid to break apart because there's something healing about breaking to pieces.  I would tell you all those pieces cut my hands but that's okay because I need to break.  I would tell you some days there is a fire but most days I'm just too tired to care whether it keeps burning or dwindles out.  I would tell you about my failings and then I would ask you to help me dig through them to find my success.  I would tell you the world within me is often more real than the world outside me and that I'm learning to be okay with that, that I'm learning not to erase the inner world.  I would tell you I wish I could be this transparent, this real and honest, this raw and vulnerable with everyone.  I would tell you all these things and we would cry, not because we're weak and defeated, not because we feel sorry for ourselves but because we've been holding on to the tears a little too tightly and it's time to let them go. 

And now fellow traveler it's your turn to share the things you've been holding.  I'm here listening.  I'm here ready and willing to cry a little with you because I know, I know you have to let them go.

November 18, 2007

Sunday Scribblings {What I Carry}

Rockhouse

She carries her poems
She carries her poems
like braille across her face
She carries her poems
in her blood and bones
tied to her wrists
and tangled in her hair
She carries them
on her lips and pours them
over his skin as he sleeps
She carries them
in her belly where they become a tree
growing from roots whose fists grip tightly
to the earth's damp flesh
branches reaching from her chest
to finger the sun
leaves with upturned faces
waiting to kiss the stars
She carries her poems
in the train of memory
she drags behind her
through the desert sand
and into the pastel horizon
She carries them
like a raven in the cage of her heart
flapping wildly but without feathers or form
a fierce flier who lifts into the air
once the door is open
and becomes a hawk
in graceful, powerful, attentive flight
She carries them
cupped in her pale hands
then tosses them towards the sky
to be scattered by the wind
weightless dancers twirling in the breeze
She carries her poems
in the dark secrets in her eyes
She carries her poems

October 28, 2007

Sunday Scribblings {hospitals}

Pink

I.

I worked as a chaplain at a hospital for two years.  That seems like an eternity ago.  I sat next to bedsides and listened to patients spill their stories.  I was present as mothers held their newborns for both the first and the last time.  I tried to be a grounded presence as families walked with their loved ones through the dying process.  And I learned that many times the only answer you can give to the question why is I don't know.  I've forgotten most of the faces and names.  I was there for some of the most intensely emotional moments in a family's life and while I can piece together some of the stories I can't really remember the specifics.  I can't remember the people whose experiences intersected with mine changing the direction of my life.  But I do remember one.  For some reason I can't erase her from my mind.  Her name was Mrs. May.  Everyday she was at her son's bedside.  He was in his late 40s-early 50s.  Years before he had been in an accident involving his horse.  I don't remember if he fell or if he was trampled but I do remember the accident left him brain damaged.  He had spent the years following the accident in and out of the hospital over and over again.  And every time his mother was there to sit by his side, a loving, familiar presence in a life torn apart.  I would stop by to visit everyday just to be a face, a smile, someone to lend a listening ear and offer a quick hug.  She shared stories about the man her son used to be.  Young, handsome, witty, active, full of life.  She shared stories about everything he'd lost.  His ability to function, his health, his home, his wife, his life.  The only thing that remained the same was the fact that he was her son and would always be her son.  She had memories of who he used to be as a child, a teen, a young adult.  Now the memories she was making consisted of holding his hand, keeping his lips and skin moisturized, wiping the drool from his chin, bathing his limp body, moving his limps to maintain some muscle tone, and rotating his position in an attempt to ward off bed sores.  She never asked for this.  Never dreamed of it.  Never even considered that it might happen to her beautiful child.  I'm sure she'd do anything she could to change that one moment that changed it all.  But she was powerless to undo the past--she couldn't save him or trade places with him.  The only thing she could do was show up everyday.  The only thing she could do was be his mother, the one person to remember that once there was more than this, the one person to hold all the stories of who this man was and may still be somewhere deep inside.  I admired her.  I admired her not necessarily for her strength or her selflessness or her dedication, I admired her because even though the man lying in that bed in no way, shape, or form resembled the son she once knew she never stopped being his mother.  She never doubted that her son's life still held worth even if others couldn't see that.  She never stopped doing the things a woman does just because she's someone's mother.  It was heartbreaking.  It was.  But it was also evidence of how big love can be.

II.

We can create for ourselves places inside to hide when life pummels us, places to lay our beaten bodies, places with sterile white walls and starched white sheets, places we can bring everything that's bruised and bleeding and leave them in the operating room of life, a sort of hospital for the soul.  We can spread out all our broken pieces, sort through them, name them, line them up according to the amount of pain we feel.  We can bind the things that are fractured, stitch the things splitting open, bandage the gashes crying out for attention.  But the only ones who come out alive, the only ones who make it, are those brave enough to open their hearts to the healing touch of another.  Only those brave enough to let someone else's eyes exam their bruised life make it out whole.  Those who let others see them weak, fragile, bleeding, and raw, those willing to be there, naked and wounded, and not reach for a robe to cover the scars but instead lie perfectly still and place their very lives in someone else's care, are the ones most likely to recover from the tragedy of existence.  And if you are brave enough to do this, if you can find that little piece of courage in the fear,  not because you cannot learn how to bind your own throbbing wounds but because you know we are all here to relate and we will never fully heal until we learn to heal and be healed, then you are stronger than you think.  We are all wounded healers here to commune in the corridors of the broken and wounded, here to let each other enter the whole of who we are in order to find that divine power inside which is the only thing that truly heals.   

September 09, 2007

Sunday Scribblings {Writting}

Ivy_2

...We have lived; our moments are important.  This is what it is to be a writer: to be the carrier of details that make up history, to care about the orange booths in the coffee shop in Owatomma.  Recording the details of our lives is a stance against bombs with their mass ability to kill, against too much speed and efficienty.  A writer must say yes to life, to all of life: the water glasses, the Kemp's half-and-half, the ketchup on the cournter...Our task is to say a holy yes to the real things of our life as they exist...

from Writing Down the Bones by Natalie Goldberg

Today I want to find a poem in the little pieces of life.  I want to find a poem in the gentleman who, when I smiled at him, looked passed me as if I were the wind.  I want to find a poem in the way the avocado's seed dropped from my hand, rolled beneath the table, and disappeared.  I want to find a poem in the searching of faces for the things I have yet to learn.  I want to find a poem in color and light and the way the clouds hang lazily over the sun.  I want to find a poem in our frustrations, in our mistakes, in the way we push through our day day to get to something we can't find.  I want to find a poem in noise and movement and questions and the things we try to hide from the world.  I want to find a poem in the phone I keep expecting to ring although it never does, in yesterday's dirty dishes, and all the bad haircuts in the future.  I want to find a poem in folding laundry, making my son's lunch, rearranging the pantry, and all of life's other mundane duties.  I want to find a poem in scraps and leftovers and scars and broken pieces because surely everything, especially the small unnoticed things, holds a poem in the beauty of it's everyday-ness.  I want to find a poem in the soft corner of my heart, that place that cries out to always have the ability to find poetry in all of life, that place that wants to see possiblity and cligns to the small windows of vision in a blurry, spinning universe.